When the Netflix-DreamWorks Animation deal required delivery of over 300 hours of original content, the newly formed DreamWorks TV division was tasked with figuring out how to deliver at an unprecedented pace while maintaining a quality level that the beloved franchises required. In this panel, the DWA TV team explains how they set up their pipeline, chose tools, vetted 3D animation vendors around the world, created a common production language, optimized the approval process, and are keeping up with a production schedule that knows no flexibility.